Guerlain Terracotta Light Sheer Bronzing Powder- Blonde

I've loved Guerlain Terracotta Light Sheer Bronzing Powder from the very first time I tested it a couple of years ago and have gone through my first compact of this bronzer very quickly. My color has always been Brunette (02) and it gave me a lovely sun kissed glow. That is, until recently, when the change in my skin tone has become very obvious and Brunette became too dark for me.It's weird, really. I'm not exactly all alabastered out. I'm just a very pale version of myself, so many of my favorite staple products need to go down a notch or two pigment-wise.

I was chatting with the SA at the Guerlain counter at Saks spending some time at Chanel. It was the day I got new (and much lighter) foundation and concealer, which was all the face paint I had on at that point (and some basic eye makeup). The SA commented that I could use some color on my cheeks. She looked at me carefully and reached for Terracotta Light bronzer. In Blonde.

And it worked. Blonde or not, this was the perfect color to bring out some natural looking warmth without going into orange territory. You can see the colors side by side- Blonde is not all that light, after all.

The SA didn't use the regular Terracotta bronzing brush. Instead, she applied the powder with a foundation brush like the one you see here. I've been trying it, but I think I still prefer the fluffy round brushes.

Guerlain Terracotta Light Sheer Bronzing Powder ($50) is available from Sephora and most department stores. I bought it at Saks NYC.

All photos are mine.

Chanel No. 5

Let's talk about Chanel No. 5.

Ask a random stranger on the street to name a perfume, chances are he or she would say Chanel No. 5. Let someone who has absolutely no interest in fragrance and doesn't wear any to sniff a No. 5 test strip and the person would most likely either recognize it by name or tell you which one of his or her acquaintances wears it. It seems to have always been part of our perfume skyline, beautiful and unmistakable.

Chanel No. 5 is very much an Art Deco perfume. From the use of the then-modern synthetic aldehydes over a classic and opulent rose-jasmine heart, to the elegant and statuesque overall construction. Just think of the Chrysler Building (built a few years after the 1921 launch of Chanel No. 5.

I have several bottles of the assorted formulations and strengths from various vintages spanning the last 25 years. The parfum extrait is the most recent, dating from around 3-4 years ago. While each concentration is an almost entirely different perfume in the way certain facets were treated, they are all still easy to identify as No. 5, no matter if it's sharper, more floral or sporting a very determined sandalwood-vanilla base. Since my No. 5 stash is a bit random and was collected as the bottles crossed my path, mostly from antique stores*, each one has its own attributes.

They all start with that familiar burst of aldehyde notes, the one we are trained to recognize simply as "perfume" and often also as "soap", probably because so many soaps- high end and generic- have been made to resemble this scent over the decades (at least until the idea that it's acceptable to smell like blackberries or a melon took over the world by a terrible storm). Then there's that abstract floral body, which by itself shaped the idea of a floral perfume for generations- Madamoiselle Chanel wanted her first perfume to smell man-made, like a couture gown, not like something that grows in the garden. It's the idea of a flower as depicted in an interpretative artwork.

When it comes to the drydown, some are woodier than others. I tend to favor the sweeter, more vanillic versions. I have half a bottle of the EDP from the late 80s which seems to suit me best on most days, but that's more a skin chemistry thing than a quality assessment. They are all beautiful, but I'm not really a floral-aldehyde fiend and the whole concept doesn't go with my personal style. It's more about a mood. Sometimes I like to play the part- wearing all black, minimal accessories and a vintage piece of jewelry. That's when No. 5 fits best.

Chanel (the fragrance house) has put in a lot of effort to protect their crown jewel over the years and maintain its integrity. I have yet to come across an (authentic) Chanel No. 5 that smells wrong or cheap. Changes and reformulations were made throughout the years, most notably when nitro-musks had to be replaced because of serious toxicity issues. The raw materials are also different between the formulations- only the parfum extrait today is made with Grasse jasmine. The EDT uses Egyptian-grown flowers. However, it seems that the draconian regulation imposed on the industry by IFRA are putting No. 5 in danger. While the concentration of the natural raw materials in the EDT is most likely below the specified level, it is unclear what will happen to the parfum. Chanel isn't very forthcoming with information (as far as I know they wouldn't even admit any changes were made since 1921), which has many perfume lovers worried.

My personal opinion is that if anyone can be the force who would bring back some sanity to the industry it is the house of Chanel. Having an iconic, national treasure status in France, Chanel No.5 must be worth defending and lobbying. It is remained to be seen if this would actually happen (don't hold your breath. There are other factors at play here).

*Chanel No. 5 in EDT and usually also EDP is available in several sizes from most half-decent department stores. The parfum can be found at Saks, Neiman Marcus, Bergdorf and their like, and if you're lucky enough to live in Paris, also on the shelves of Sephora and many other perfumeries. One place to avoid is eBay. Chanel perfumes are extremely popular with counterfeiters, thieves and loathsome individuals who refill empty bottles with who knows what and sell it as vintage. Don't. Seriously.

The Moving Chronicles- Part 1

We're moving. No, the blog stays right here, just the husband, cats and I are relocating 8 blocks to the south. The house we bought is in the same town and the same neighborhood, so it's not that big of a change. But it's our first move in more than ten years and we're a bit set in our ways, which means things are going to get interesting.

Realizing closing is only a few days away, I took a good look at our possessions. We're pretty practical when it comes to furniture. Life with cats forces you into a certain frame of mind. You can't get too emotionally attached to your couch and the only ones arranging things on horizontal surfaces are the felines. As a result, we're not big into knickknacks and haven't owned any breakable decor items since a certain orange tabby disposed of the last vase.

What we have are books. Their number has tripled since we've moved here.

Kitchen equipment. The small collection of vintage enameled cast iron pans circa 1960 isn't going to endear me to the movers.

The beauty closet, which is no longer a closet, as the content has somehow spread throughout the house. Beauty bloggers are a bit insane.

The perfume collection. I've gotten a few sweet emails offering advice about packing it right, protecting The Precious and not taking my eyes off certain irreplaceable items.

And nine cats.

Oy.